Questions of Ethical Allyship in Depicting Palestinians
In this lecture-style presentation, artist Nicola will take audience members on a retrospective journey of their artmaking process in solidarity with Palestine from 2023 until the present. During the presentation, Nicola will point to how general definitions of solidarity have shifted over time as knowledge and consensus of the genocide have grown and developed globally. After contrasting the strengths and limitations of depicting Palestine using realism versus stylised imagery, Nicola will open the floor for comment. Audience members are invited to give feedback on what considerations Nicola (and other artists) can make when depicting sensitive subject matter going forward, whether in choosing a visual medium/composition/reference material, as well as not only seeking out explicit permissions from subjects and creators of the original reference material but also using the art to facilitate conversations that centre empathy for and humanisation of Palestinians.
Nicola (she/they) is an interdisciplinary artist whose current body of work focuses on snapshots of real Palestinians’ daily lives. Their journey of making politically focused art has run the gamut of subject matter while always maintaining a decisive point of view. Following current events as they unfold, and noticing the responsive shifting of social contracts in real time, Nicola curiously explores what it means for artists to act in solidarity through their art, using tools and questioning that aims to centre the subject matter with empathy and nuance.
Date and Time: 30 April 2026, 14:15
Duration: 45 minutes
Tickets: R100-R150 (pay-as-you-can; no one will be turned away due to lack of funds. Contact Lousie Westerhout at weezawest@gmail.com for a subsidized ticket if you will be attending)
Venue: Main Theatre at Theatre Arts
Body Politic: Access/Praxis
We are non-institutional and unfunded in order to create ethical spaces where our issues with establishment may be addressed. We centre the experience, knowledge and practices of artists and practitioners from systemically oppressed identities.
We have invited facilitators, practitioners and artists, whose research includes access and care, to propose workshops or performances around the following themes: conflict resolution, transformative justice, intersectional realities, accessibility, accountability, body autonomy, consent practice in performance, trauma-informed content and survivorship.
The two-day programme includes workshops on the micropolitics of care and food as indigenous memory, talks on disability, death, collective artistic research and ethical allyship in the face of ongoing genocide as well as hybrid offerings.
We look forward to sharing space with you.
10:00 - 12.30 - Mending as Transformational Justice - Safiyya Karim
13:30 - 15:00 - Holding Space - A gentle reimagining of survivorship through a colouring session. - Mercy Thokozani Minah
15:30 - 17:00 - Micro-acts of Care – rehearsing a safer space – Marie Hahne
13:00 - 14:00 - Episodes of Death (film) - Sasha Fourie
14:15 - 15:00 - Questions of Ethical Allyship in depicting Palestinians - Nicola Harris
10:00 - 12.00 - Embodiment, Memory, Food and Futurity - Sanelisiwe Nyaba & Wanelisa Xaba
12:30 - 13:30 - Lecture Performance - Pushing hands Archive – Pushing Hands Collective (Ching Shu, Johanne, many, Zeph and Di)
14:00 - 15:30 - The Sound Cauldron - A sonic Experience - Jair Montes
Kopano Maroga (they/them) is a South African performance artist, writer, educator and cultural worker. They are a dual PhD candidate at the Royal Institute for Theatre, Cinema and Sound in Brussels, Belgium, and the University of Cape Town in South Africa and an incumbent interfaith minister through The Thread Interspiritual Seminary. Their debut poetry collection, Jesus Thesis and Other Critical Fabulations, was released through uHlanga Press in 2020, shortlisted for the National Institute for the Humanities and Social Sciences award for Best Fiction (Poetry) and later translated into German through Akono Verlag in 2023.
Louise (she/they) is a queer, disabled performance artist, curator, writer, activist, therapist, and educator based in Cape Town, South Africa. Their research is dedicated to themes of consciousness, posthumanism, crip queer aesthetics, Wicca, anti-speciesism, trauma and healing, and social justice. They have taught disability and gender justice as well as transformative justice in South Africa, Switzerland and Sweden.
Mercy Thokozane Minah is a nonbinary, queer, multidisciplinary maker who creates art in visual, literary and theatrical mediums. They have been a cultural worker for over five years, making art that explores Black, queer and trans intimacy with a focus on the relationship between intimacy and liberation.
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Community Agreements for All Who Are Attending, Participating, Organising and Facilitating at Body Politic: Access/Praxis.
We are gathered, warmly welcoming each other, for the purpose of community building and research into access, accountability and the micropolitics of care. We agree together that this sharing of our lived experience will expand definitions of access as liberation: physical, ethical, emotional, practical, spiritual, and technical. We acknowledge that, on the path to sharing, liberation, and the cultivation of all forms of freedom for all people, it may be challenging to learn to listen and to think through unexpected experiences of others' habits and beliefs and desires. We are therefore committed to building a process that works for all by utilising the following tools, strategies and structures.
Understanding and Care: We listen, read and watch with the focused intent to understand. We acknowledge that everyone is on their path and that by listening we may understand and empathise with people we did not know we were connected to or whose narrative we may learn from. We show care for ourselves and each other when we share our access needs and reciprocate support.
Accountability for Self: We speak from our own specific and unique experiences, using “I” or “we” statements. We acknowledge that we all have our own biases and perceptions and that all of us are working to become more aware and curious as to how we may be safer for ourselves and others. Consent: By acknowledging systemic power dynamics, we understand that consent-based action is always informed, voluntary and reversible. There is no urgency to complete or to conclude anything. We enter curiously, patiently and lean into the mystery of the moment. We each determine what is right for us and what may not resonate with us for now. We are enthusiastic about sharing reflections and giving and receiving feedback.
Agreement of Care and Confidentiality
I agree with the following and am committed to using them as a framework while at BP:access/praxis.
I agree that it is important to protect another person's right to privacy and that confidentiality is essential when engaging in some of the closed discussions that will happen in this space. I know that, during my time at Body Politic: Access/Praxis, I will hear personal and possibly sensitive information. I understand that it is important to retain confidentiality around everything that I might be privy to. This may include any information, personal stories or contact details. Confidentiality extends beyond the space of the body politic.
I agree that it is my accountability process to check in around my own comfort level while hearing triggering stories or in case of disagreement. I can take a break, rest or leave at any time.
I am aware and acknowledge that Body Politic operates an active safeguarding and welfare ethos.
I agree that Louise, with Kopano and Mercy, may conduct internal safeguarding enquiries where credible concerns arise.
I agree that, should they believe there is credible risk to the safety of the space, they reserve the right to implement measures such as the removal of the person in question.
I agree that, if at any time the event coordinators receive reports or complaints either through formal or informal channels about me, I will make myself available for discussion and will respect their guidance or decisions.
I agree that, should I be aware of anyone in the facilitator line-up, groups or space who is known to me as being a harm-doer, I will approach and report to the coordinators with the intention of creating safer spaces.
In case of any situation where I am unsure about what to do next, I will ask one of the coordinators, Kopano, Louise or Mercy.